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[ºí·ç·¹ÀÌ] À×±Û¸®½¬ ÆäÀ̼ÇÆ® : ÇÑÁ¤ÆÇ ÄÞº¸ÆÑ (2disc: BD+DVD) [The English Patient]

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      [ºí·ç·¹ÀÌ] À×±Û¸®½¬ ÆäÀ̼ÇÆ® : ÇÑÁ¤ÆÇ ÄÞº¸ÆÑ (2disc: BD+DVD) [The English Patient]



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      Special Features
      audio commentary with screenwriter/director anthony minghella
      audio commentary with screenwriter/director anthony minghella, producer saul zaentz, and the about michael ondaatje (21ºÐ 57ÃÊ)
      his wrting roots
      the booker prize and canadian following
      the challenge of turning the novel into a film
      about writing the novel
      reading from the novel
      from novel to screenplay-interviews with cast and crew (7ºÐ 11ÃÊ)
      the formidable saul zaentz (1ºÐ 59ÃÊ)
      a historical look at the real count almasy (8ºÐ 18ÃÊ)
      filmmaker conversations
      a conversation with director and screenwriter anthony minghella
      reading the english patient for the first time (1ºÐ 15ÃÊ)
      on his admiration for michael ondaatje (3ºÐ 41ÃÊ)
      the beginning stages of making the film (12ºÐ 00ÃÊ)
      my duty as a filmmaker (4ºÐ 38ÃÊ)
      accolades for the english patient (3ºÐ 32ÃÊ)
      his early cinematic vision for the film (3ºÐ 43ÃÊ)
      100 days of shooting (1ºÐ 57ÃÊ)
      a conversation with producer saul zaentz
      the complexity of adapting the novel (3ºÐ 56ÃÊ)
      pre-production: doing the homework (2ºÐ 07ÃÊ)
      finding the cast and crew (1ºÐ 19ÃÊ)
      the insight of stuart craig (1ºÐ 26ÃÊ)
      the imagination of stuart craig (2ºÐ 17ÃÊ)
      trying to cast connery (3ºÐ 36ÃÊ)
      the audience reacts (2ºÐ 02ÃÊ)
      on cinematographer john seale (40ÃÊ)
      camaraderie on set (2ºÐ 11ÃÊ)
      a conversation with writer michael ondaatje
      the difficulty of adapting a novel (2ºÐ 16ÃÊ)
      fleshing out the script (1ºÐ 25ÃÊ)
      the limitations of writing a screenplay (1ºÐ 50ÃÊ)
      life after the film (1ºÐ 13ÃÊ)
      a conversation with film editor walter murch
      meeting anthony (2ºÐ 36ÃÊ)
      the editor - director relationship (4ºÐ 49ÃÊ)
      putting the pieces together (1ºÐ 46ÃÊ)
      the first assembly (4ºÐ 38ÃÊ)
      the process (2ºÐ 14ÃÊ)
      working with anthony (2ºÐ 53ÃÊ)
      the advantages of digital editing (7ºÐ 15ÃÊ)
      the work of stuart craig-production designer (3ºÐ 57ÃÊ)
      the eyes of phil bray-still photographer (2ºÐ 50ÃÊ)
      master class with anthony minghella-deleted scenes (20ºÐ 00ÃÊ)
      cbc documentary: making of the english patient (53ºÐ 01ÃÊ)



       
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